Tuesday 10 December 2013

Artefact

The idea for my Artefact came through my literature research. As I was researching the subject 'Audition preparation for performers' at the 'Summon' website; an article came up which navigated me to this website http://www.backstage.com/

I then thought that we as performers in the UK don't have a specific site that includes all the information that we need in order to succeed in the Business. Most sites are missing important info and in order to find it we have to navigate to several sites. This is very inconvenient for us as we have very busy lifestyles; we don't have the time to search through multiple websites in order to find the information that we need, so I had this idea of designing a Website which will include:

  • Audition Preparation Advice from Professionals*
  • Advice on how to sell yourself in the Business (ie CV preparation, Web design, Showreel etc)
  • How to Prepare for the real world after Graduation (ie How to find the right Agent for you)
  • How to Network
  • How to have a long term career without part time jobs
  • How to keep on top of the game without having to spend a fortune for classes
  • One to One Discussions with Professionals 
  • List of Companies etc that Performers should avoid working for in the future
  • Up to date Articles/News about the Industry
  • Seminars, Audition Workshops with Experts from the Field
  • Interviews with Professionals
  • Advice on how to approach Casting Sites
And  many more...

My goal is to design this Website in a way that looks as clear and easy to access as possible. I also want every performer to be approached individually regarding their question, problem or concern.
In other words this will be a place where Professionals from the Performing Arts Industry can use to Network, Find specific and valid Information from Experts and Get Advice from Professionals.
A small fee will apply in order to use the website, this is because In order to give away valuable and important information from Experts inside the field, it requires some funds.   

* Industry Professionals who are either ex performers in the Musical Theatre, Commercial or Film/Theatre Industry, Agents, Directors, Current Experienced Performers who will be selected prior depending on their backround including training, credits, years of experience and some other factors not specified yet.

Do you have any thoughts or advice about my Artefact?


Sandra Bullock Defies ‘Gravity’ (and What She Knew About Acting)

http://rt5vx6na7p.search.serialssolutions.com/?ctx_ver=Z39.88-2004&ctx_enc=info%3Aofi%2Fenc%3AUTF-8&rfr_id=info:sid/summon.serialssolutions.com&rft_val_fmt=info:ofi/fmt:kev:mtx:journal&rft.genre=article&rft.atitle=How+do+you+prepare+for+auditions%3F&rft.jtitle=Back+Stage+East&rft.au=Sarah+Kuhn&rft.date=2008-04-02&rft.issn=1930-5966&rft.volume=49&rft.issue=13&rft.spage=6&rft.externalDBID=BACS&rft.externalDocID=1461844271&paramdict=en-US

Wednesday 27 November 2013

Don't give up the day job - how artists make a living 'The Guardian-article'

http://www.theguardian.com/culture/2010/jan/24/artists-day-jobs

This is a very interesting article about each of us that's trying to make a living as an artist.
It discusses how essential is a part time job for an artist and how it can affect your career.
Can you have a family as well as a career? Unpaid work- the elephant in the room.
At least two-thirds of actors are out of work at any time, according to the most recent survey by performers' union Equity.
What are the official numbers of what an artist earns?

Reading this article made me question if I made the right choice entering this career; but performing is what makes me truly happy, just because I'm not a doctor or a banker doesn't mean I can't make a living out of it. This is what my inquiry will be focused on. How can we as artist have a stable, successful career in the Performing Arts, that we can make a living out of it without having to do part time jobs.


Attracting Dreams and Success with Law of Attraction

http://www.youtube.com/watch?v=5YrTDgfSbaQ

Monday 25 November 2013

How to Network

http://spotlightuk.podomatic.com/entry/2013-08-12T08_23_21-07_00

 Holby City star and TriForce Promotions Creative Associate, Chizzy Akudolu, talks about how to get ahead in the performance industry by networking.

An interview with New York casting director, Scott Wojcik



Spotlight's Emma spoke to Scott to demystify the casting process for actors, and what he looks for in a performer.


1.    Emma Dyson (2013) An interview with New York casting director Scott Wojcik, London, The Spotlight Podcast Link  

 

Scott Wojcik started out as an actor; he was working as a freelance assistant for some Casting Directors whilst he was trying to do his own acting work. After a while it became a full time job and now he’s been working as a Casting Director for 5 years.

What Scott is looking for in performers is a ‘Package talent’; someone who has a physical appearance that matches the energy that they present when they are on stage and together those things crystallise character.

Considering audition pieces, he’s advice is to choose short, comedy pieces delivered with a lively, focused, defined energy.

Photos are very important, he’s opinion is to keep them simple with bright eyes and smile but also have a question behind the eyes with a thought process in mind. Full body shots are important too; a casting director has to be able to see the proportions of the actor. Stylistically outdoor and natural, sometimes more urban backgrounds with the use of brick work great.

A showreel has to be short, around 1-2 minutes. I casting director or agent want to see you speak; they want to see you in something recent. The long length showreel belongs on your website.

A website is great for your representation as a performer. It’s packaged and you can use it to promote yourself directly.

He’s advice for graduates, is to do their research and remember that they have to be smart consumers in a Business environment. ‘‘Be proactive, ask around other performers in auditions; ‘’Where do you go for classes?’’, ‘’Where did you get your   headshots from?’’. Know what’s happening right now in the Business by watching TV, seeing shows and reading articles and magazines. You should be researching your type; if anyone compares you to an existing working actor/performer do some research to their past and see what got them started to being that famous person that they are now.’’

In regard to auditions, Scott mentioned that you should know your craft and have already researched the roles that you are suitable for, so that if you have a last minute audition call you are prepared. ‘‘At auditions you should always take ownership of your talent and the product that you are presenting. Have your material ready, be honest and real, figure out who you really are and be polite to everyone. If you didn’t get the job don’t take it too personally, you did your best for the day and you are putting a seed on the ground for a job in the future. A last advice would be to understand that you are auditioning for your career and to make sure that you shine brightly when you are given a chance in the Industry.’’

Is there a reason for having Plan B when there is Plan A?

Some would say yes there is, what if Plan A doesn't work? 

Have a look at Augusto Pinaud's blog http://augustopinaud.com/%E2%80%9Cthere%E2%80%99s-no-reason-to-have-a-plan-b-because-it-distracts-you-from-plan-a-%E2%80%9D/

Augusto's Plan A was to become a Writer. He left Plan A to the side and decided to go with Plan B, but what did he discover? Plan B might have given him a secure income but there was no deeper satisfaction about it because it simply wasn't Plan A, it wasn't his dream.

Plan B distracted him for some time until he felt the need to fulfil Plan A. He is now living his dream and he is a Writer, he has goals and he is fully focused on his dream because this dream is what he wants to die for.

Are you living Plan A right now or are you settled with Plan B? 
If you are living Plan A do you have a Plan B in mind? If yes Why?

 My inquiry somehow links with Augusto's blog and here is why. When you have just graduated as a Performer some of the thoughts that run through your mind are; Am I going to be successful? Will I find a job in the business? How am I going to support myself financially? Shall I have a Plan B in mind just in case?

Recent graduates tend to be optimistic and work hard towards their dream. They didn't have as much taste of failure as the more experienced Performers in the business. My goal is to keep that fire lightened up in their mind before they change Plan A to Plan B with the first, second, or tenth 'No' that they hear.

I recently did an interview with Tom who works as a banker. We met at the Actors Temple were we did an acting class together.
He expressed how sad he feels at work and that working in a bank isn't something that fulfils him. He said; ''This job is not what I want to do, is just a way of paying the rent and bills; what I really want to do is to be an actor!''. I could feel how passionate he was about acting and how hard he worked in the class to improve his skills.
When I asked him ''So do you have any further plans about acting in the future?'' he answered ''Yes! I decided to quit my job and become a full time actor! I realised that unless I commit to it 100% I'll never reach the standard of actor I want to be.''

Tom chose to commit to his passion knowing that he has to face some concequences. He wasn't afraid to leave his daily job and fulfil his dream! Now he doesn't have Plan B distracting his Plan A but do you think leaving his daily job was a mistake, knowing that he is not an actor with  experience in the Industry? 



              







Saturday 19 October 2013

Little steps to create MOTIVATION

This is an idea I came up after a discussion I had with one of my flatmates.
Basically, a couple of days ago Alexiane came home feeling upset and frustrated because she didn't go through an audition for a play she really wanted to be part of. She started saying how she's tired of trying so hard and how she's thinking of quiting the acting profession soon.
I then thought; what does 'trying hard' really mean? and how do we know if we reached our limits?
So I came up with the following idea: I got three large pieces of paper and wrote each of our names down; then I put the papers on the wall at a place that they were visible to all the members of the flat even the guests.
The rule was to write down the date and under that, explain what you have done for your career that particular day in a small sentence. For example 'I applied for two castings on Casting Call Pro'.

Some of the benefits of this idea:
  • By seeing what your fellow performer has achieved that day, it keeps you motivated and wanting to do more for your OWN career.
  • Even if you write something as small as 'today I went to an audition' is still suggests that you tried and it fills you with positive energy to keep trying!
  • When you have achieved something that you are proud of why not let everyone else know? It will boost your confidence!
 We applied this method a couple of weeks ago and the results are very possitive! We've all been concentrating on 'doing instead of talking about what to achieve' and we always get so excited when we write down what we have done each day for our career, it keeps us going! We support and we feel proud of each other cause now we know exactly how hard we're trying in order to succeed!

 I suggest you try this method at home too and tell me what do you think of this idea :)

Module 3

So here I am, back in Module 3! Yesterday I had a skype session with Paula Nottingham who really helped me clear things up in my head about how to approach this Module and what to improve, in order to graduate with the feeling that I have achieved the most that I could throughout my study period!

Rule 1: Get messy!!

Looking back at my proposal, Paula spotted that I had a lot of great ideas but I didn't explain in detail what it was that I wanted people to understand from my enquiry. For example using
terms such as 'confidence' or 'motivation' is very general; one person's understanding about these terms might not be the same as someone else's. I have to explain and give a reason behind the
definition of each term.

Rule 2: Keep collecting,analysing and sharing

Paula mentioned that in order to develop my critical awareness and presentation skills for the end of this Module, I need to keep focusing towards collecting as many ideas that address my title of enquiry as possible.

  • Keep collecting data from people
Review and evaluate how my previous method of approach towards my enquiry worked, for example if I created a focus group of 5-6 young professionals, do I need to make any adjustments? Perhaps I need to alter my questions so they are more specific or I might need to add people with more experience in the group in order to collect a variety of answers for my enquiry.

  • Keep reading!
Reading books, articles and any other sources of information about my enquiry, will help me approach my subject in a professional and academic way. By collecting data from the 'experts', I stand a better chance of influencing my audience because they know that my references are coming from trustworthy and approved sources.

  • Write down your experiences!
Is very important to continue writing my journal and keep creating audiovisual ideas. Personal experiences can be very strong and stay in our memory for a long time. During my presentation at the end of  Module 3 I want to share some of my experiences with my fellow performers in order to show how they can influence our lives and help us continue our journey in the best possible way.

Rule 3: Define what it is that your looking for  

Asking the right questions will lead to the right answers. Paula mentioned that I need to revisit the questions that I formed to address my title of enquiry. I need to make my questions more specific and clear in order for the audience to understand, what it is exactly that I'm looking to address. Remember: 'Ask a question that goes back to your main title'.

Rule 4: Think outside the box

Don't be afraid to experiment! This is the perfect time to play around with new ideas. If you are not satisfied with the way you approached your enquiry, now is the time to make some changes. You might feel that interviewing an experienced performer in your field will open doors into feeling the gaps from the focus group you created.

Rule 5: Keep in touch!

Keep in touch with your tutor! This will prevent creating unnecessary confusion when it comes to sending your final submission. Find a way that works for you; for me I found out that if I keep sending drafts to my tutor for feedback throughout the study period, I don't have to worry and stress about sending my work for submission, because I know that my tutor has approved it already.

Make sure that you keep interacting, discussing and sharing ideas with your fellow colleagues in the BAPP course. Keep posting on the facebook page as well as your blogs as this will help each other progress and create a good Professional Artifact.




   





  

   

    






   

Monday 20 May 2013

CRITICAL REFLECTION


 

Since Module 1 I grew both as a person and as a Professional. Through this journey I have developed a clearer point of view of who I am as a performer and what I want to achieve in the Performing Arts Industry. Module 1 has introduced me to new communities and networks that helped me promote myself as a professional and whilst being an active participant I managed to expand my contacts in the Business. Apendix  

Through Module 2, I learned how to develop lines of inquiry; I was introduced to the importance of being ethical and how to apply ethics in my Professional Practice and finally, I learned how to develop tools of professional inquiry.

Developing Lines of Inquiry

This part of the Module has introduced me to ideas in order to make up my title of inquiry. Researching, questioning and observing were key factors in order to grow within my Professional Community. Also deciding my award title was very important towards creating a clear point of view of my Professional identity.Apendix

Attending the first meeting of the Module has helped me understand that in order to decide my title of inquiry; I should continue developing questions and keep discussing my subject within my SIG group and professional community. This is exactly what I did; I created a SIG group with other students who have similar interests and this was an efficient way of sharing ideas, asking for advice and getting feedback quickly.Apendix

Professional Ethics

My knowledge around the importance of ethics and how they can affect my career has improved dramatically. I am now aware of how to approach situations within my workplace and how to remain ethical in my Professional Practice. By reading the reader of Ethics, by completing the tasks and by discussing the ethical issues of my inquiry within my SIG group, I have developed a good understanding of how being ethical can help me towards becoming a successful professional.Apendix

Tools of Professional Inquiry

I really enjoyed this part of the Module as I was able to engage with other peers within my focus group and create discussions towards my inquiry. Creating surveys has enabled me to see the different ways that a question can be raised and how analysing multiple answers can lead to one main idea.Apendix

 
Two months ago I had a conversation with a friend about our careers. Whilst talking about how competitive this industry is and how you need to have passion and determination in order to succeed, I turned and saw a huge piece of paper with lots of colourful pictures. ‘What is this?’ I asked. ‘It’s my vision board!’ she said. She explained that visualisation is a method that many people have used over the years in order to become successful.  

That was my turning point! I realised that instead of wasting time thinking about things I haven’t achieved yet, instead I should focus on what I should be doing in order to achieve them! So that day I decided that I want my inquiry to represent inspiring methods and ideas that will help recent graduates fulfil their dreams and become successful professionals! Apendix          

Sunday 28 April 2013

3rd Literature Review
 
My journey through the Actors Temple
 
 
 
 
The reason why I chose the Actors Temple as my 3rd Observing/Learning Experience Review; is because through the meisner technique acting classes, you can see people revealing themselves and becoming happier/successful people both in their workplace and in their everyday lives.
 
When you are balanced within that's when all the magic happens.  

2nd Literature

A New You

By Nicola Cook

My initial thought when I was told that I had to decide the title of my inquiry, was to choose a subject that will benefit me and other performers into practically achieving what we have always dreamed off.

Immediately I knew that I had to focus on the deeper levels of meaning and understanding of myself because this is where it all starts. This book made me see the small changes I could make in order to see the biggest difference in my life. It talks about ways to develop the right mindset and the right skill set, so that the New You can finally rise and remain on the surface.

The main idea of this book is to really find out Who You Are, What you really Want and How to achieve it. The first chapter focuses on the areas in your life that are currently causing you the most stress and gives you an overall idea of How you’ve been handling your life until now. Then it gives you a meaningful reason that if you do not do whatever it is to fulfil your own needs First, then you won’t be very much use to others.

It explains how useful is to follow your INSTINCT and gives you ways of training this ‘muscle’ in order to remain in charge of yourself. It helps you understand that There Are ways to make a change in you and a way to do it is to learn to choose How to respond to your emotions.

A good question that the author raised is; ‘If time and money didn’t exist what would you be doing?’  Then it gives you the chance to divide your daily activities in three sections. The first one being ‘uniqueness’, the second being ‘stuff’ and the third being ‘energy zappers’. The most important out of these three elements is uniqueness (=activities you enjoy and love doing). They should take 70% of your daily activities in order for you to remain balanced and happy.

Choose to be more productive > Focus on your uniqueness > Your life will be more fulfilling > Successful

If you ever feel stuck, ask yourself: ‘What other way is there of doing this?’

One way of making what you want Reality, is to create and repeat positive mantras and locate them in the present form.

For example if you want to build up your self-esteem, here is a good mantra: ‘‘I have all the confidence I need within me right now’’

The only choice you ever have is how you choose to behave in response to the things that happen to you. Create a mantra that is directed towards your own behaviour and you will be in control of the changes that happen around you.

Nothing happens in life before you believe it will happen.

Here is the secret of making something work in your life:

1.      Deep desire to make it work

2.      Faith and belief that it can work

3.      Hold the clear definite vision in your consciousness

4.      See it working step by step without one doubt or disbelief

 

Another method to make what you want Reality, is to visualise it. Take 20 minutes every day and visualise yourself achieving what you want. Decide to use visualisation to focus on your goals and what you want out of life, even if you do not yet know how you will achieve it.

The more you believe you have already achieved your goals; the more your focus will uncover the methods you need to use to reach them!

It all happens because you first believe you can and you have faith in your own power to create it.

So become the leader, take control now and experience your goals before they happen!

 

Task 6c

1st Literature Review
 
Motivation and Productivity in the Workplace
By Carla Valencia
 
This was a very interesting article that highlighted the possible reasons of low motivation of employees and suggestions of targeting this issue.
 
I decided to use this article even though it doesn't speak exclusively about performers. The reason why I chose it is because through the arguments,facts and opinions raised, I can still relate to the overall view of the issue in the Performing Arts and I can also compare the similarities and differences within the two workplaces.
  • Motivation emerges, in current theories, out of needs, values, goals, intentions, and expectation.
  • Managing motivation is a requirement for productivity.
  • Although motivation is an important determinator of individual performance, it is not the only factor. Such variables as ability, experience, and environment also influence performance.  
 This proposed research is needed to improve employees' performance at the workplace, to retain employees and to help companies establish a good image.
 
If you think about it in the performing arts business, is about improving our performing skills, retaining our skills and establishing a good image in the industry. Therefore there is no difference from any other type of job, our target is success.
 
Research Questions
  1. Is money enough to motivate employees?
  2. Why do employers not recognise all their employees at the same level?
  3. What specifically will motivate employees to perform at their peak?  
  4. How can employers implement or improve incentive systems in the workplace?
  5. How does motivation impact an employee's productivity?
  6. How do employees respond to different incentives?
  7. Why can't every employee perform at his or her best?
  8. Do employees lose enthusiasm about the company, and therefore become less motivated?
 
From the performer's point of view these could be similar questions that might rise; especially after graduating as is more likely to worry about when you'll get your first job, and how you'll support yourself financially. 
Another issue is that some performers stay in the same mindset that they had before graduating. Of course teachers we'll have their favourites and there will always be those students that get to be the lead in every show. GET OVER IT you graduated! See it as a tough process you had to go through in order to become stronger and more determined. Now you'll be able to handle rejection much easier in the real business than if you were that ''favourite'' student.
 
Research done in both psychology and business literature over the past three decades has recorded that motivation varies as a function of different factors in the work environment, including evaluation expectation, actual performance feedback, reward, autonomy, and the nature of the work itself.
 
When employees have high autonomy, receive feedback about their performance, and have an important, identifiable piece of work to do which requires skill variety, they may experience feelings of happiness and therefore intrinsic motivation to keep performing well (Hackmam & Oldham, 1980).
 
Herzberg's (1966) motivator-hygiene theory has been one of the most influential in recent decades. Basically, the theory divides motivating factors into two categories: Motivator factors, which have something to do with the work itself, and Hygiene factors, which have something to do with the surrounding context.
Motivator factors include such things as responsible work, independence in doing the work, and satisfaction arising from the completion of challenging tasks. Hygiene factors include pay, security, and general working conditions. According to Frederick Herzberg, hygiene factor operate primarily as de-motivators if they are not sufficient. He suggests that workers are most satisfied and most productive when their jobs are rich in the motivator factor. When the work is interesting, he suggests can be accomplished by the job enrichment.
 
One psychological view suggests that very high levels of intrinsic motivation are marked by such strong interest and involvement in the work, and by such a perfect match of task complexity with skill level, that people experience some kind of psychological "flow," a sense of merging with the activity they are doing (Csikszentmihalyi 1975).
 Individuals are intrinsically motivated when they seek enjoyment, interest, satisfaction of curiosity, self-expression, or personal challenge in the work. Individuals are extrinsically motivated when they engage in the work in order to obtain some goal that is apart from work itself.
 
The behavior of people in their jobs is more than play on words. Herzberg said that two different kinds of human beings are involved here. One set of needs is the built-in drive to avoid pain from the environment and the all the learned drives that become conditioned to the basic biological needs. For example, hunger, a basic biological drive makes its necessary to earn money, and then money becomes a specific drive. The other set of needs relates to that unique human characteristic, the ability to achieve and, through achievement, experience psychological growth.
  
Psychologist A. H. Maslow was a University professor and a frequent contributor to professional journals organized human needs on five general levels in his book called Motivation and Personality. In ascending order these are:
  • Physiological needs such as food, water, sex, and shelter.
  • Safety needs such as protection
  • Social needs such as belonging, and acceptance.
  • Ego needs such as achievement, status, and appreciation.
  • Self-actualization needs such as the need to realize one's potential.
  •  
 
 
 
 
 
   

 

 



Task 6b


As I mentioned earlier, the tools I want to use for my inquiry are:
 a) Focus group
b) Surveys/Questionnaires

My inquiry focuses on a psychological and deep level of understanding. For me is important to know what recent graduates are struggling with within their career; why they struggle and how they target it in order to maintain their focus and determination towards their dream.
My first thought is to create a group with 5-6 recent graduates from Performing Art Colleges. This will give me the opportunity to maintain communication with them and also be able to look back on any discussions and reflect.

One of the big benefits of a Focus group is that its members can answer my queries in their own space and time. This way they won’t feel pressured and they’ll be able to give me accurate and meaningful answers. For me is really important to emphasise the privacy and security within the group. Not all members will feel comfortable talking about a subject in front of other members of the group, so giving the option of private answers and securing its content from the public is vital.

 
One of the reasons I decided to choose Surveys and Questionnaires as my second tool, is because they give me the ability to gather a range of data and results. The tricky part is to make sure my questions are written precisely and are always linked to what I’d like to achieve from my audience referring to my inquiry.

 
The reason why I didn’t choose Observation as my tool is because I am aware that everyone is an individual and it wouldn’t be possible to gather meaningful information in such a short amount of time.

Although observing a dance class or an audition might be useful as I could see the reactions of the graduates during these events, I still feel that I won’t be able to understand the true meaning behind their behaviour, as it’s the point before and after these events that true feelings are usually being expressed and exposed.

 
Regarding the tool of Interview, it would have been a helpful way of research if I was concentrating on a specific type of individual. Here I have to do with many emotions, behaviours and reactions of people. In the end of my research I will be analyzing and researching these behaviours in order to present long term solutions that will lead to successful/happy performers. An interview could be interesting in order to ‘’investigate’’ in a deep level and meaning the inner thoughts of the graduate, but it wouldn’t be a practical and efficient way to gather a variety of information.        

Tuesday 23 April 2013

Task 5d

As I want to emphasise on recent graduates and their approach towards the Performing Arts Profession; I thought that the best tools to use for this subject are:

1) Focus Group
2) Survey

The ethical dimensions I should be applying for the above tools are:

Focus Group

  • I should introduce and inform the people in the group about the subject I'm planing to talk about and the reasons why I chose those people to be involved
  • Make clear what I want them to do and explain in what way it will be beneficial for them to be involved in the group
  • Give them a form of agreement saying that the information given by them, won't be displayed publicly without their permission
  • Inform them that if they don't feel comfortable talking about a subject in front of other members of the group, they can send me their answers privately
Survey
  • Display my questions clearly to avoid any misunderstanding
  • Respect the privacy of others, give them the choice to remain anonymous or to choose how to answer
  • Avoid plagiarism, be straight forward and precise in what I want to achieve through my questions

Task 5c

My final enquiry is: How can *recent graduates from Performing Art Colleges maintain their confidence, commitment and motivation in regards to their profession in the Performing Arts Industry

* 1-2 years after graduation  

Reading the Reader based on Professional Ethics, made me think a lot about the approach I had in my profession since graduation, and how this affected my development as a Performer.

My main concern in my profession is to be employed and to be able to perform without having to do secondary jobs.
As soon as I graduated I decided to become a member in several casting websites in order to get as much experience as possible. Although it was a great way to build up my CV I felt that I didn't always get rewarded for my effort. Being paid in your Profession is a must and not something that should be argued; getting paid for your work means that you are being respected and rewarded for your commitment. Although I did some unpaid jobs I didn't regret it; I still learnt and achieved a lot as a performer and I also expanded my contacts.

What we should remember though, is to grab opportunities that come in our way but to also think how much effort, time and money we put in our training.

If I had to see this subject in an ethical point of view, then I would say that in most cases of displayed unpaid work on official websites, the employer doesn't have ethos or respect towards the performer.
Of course this doesn't apply to every company or employer but If they don't work for free why should I?

Is not a coincidence that most performers end up doing every day jobs in order to support themselves and have a decent living.
I believe that If we as performers and especially graduates react and stop accepting unpaid or low paid jobs in the Industry, then we will see a change from the side of the employer; Action-Reaction. Colleges/Teachers should speak to students about the ethics within the industry, as well as give advice, in order to avoid dissapointment and exploitation later on in their careers.

Is not going to be easy but it's possible!

   



  

Friday 19 April 2013

Task 5b

Just like you wouldn't sign a contract before reading the agreement, you wouldn't turn up to an audition without being prepared. Although preparing your song,monologue etc is important, you also need to do your research about other factors before attending an audition.

What I mean is; not all websites or agents are aware of how reliable their clients are, no one sais that you are safe if you are about to go to a venue for a casting; or If you are about to do a photoshoot for example; who tells you where the pictures will be displayed and what rights the owner holds?

In order to protect yourself from any physical or long term career harm, here are some ethic codes you should apply:

  • Check that the source of information that you found out about the audition is safe and reliable.
  • Make sure you check out any links or personal information that the website,agent or friend gave you before attending the casting.
  • Inform your agent if you have any concerns about the venue or the person holding the casting and ask the agency to send someone to check first that is safe, before attending there by yourself. 
  • When you arrive at the casting ask any questions you might have about the contract.
  • BEFORE you sign a contract/agreement form READ the codes they apply to you and DON'T sign it if you don't agree with something written.
  • They need to get permission from you if they are about to record you. They don't have the right to expose the recording without your agreement first.
  • Never do any (extra) work that you haven't signed up for. If they pay you for that extra work and you do agree to do it, make sure you sign another form of agreement first.
  • Always keep a copy of the contract you signed up for, If you ever need to defend yourself  you'll have a form of evidence!     
Here is a sourse from a professional modeling website but can apply to any form of art within the Performing Arts Industry.
http://www.ukmodels.co.uk/advice/parent-information.aspx
  

Monday 18 March 2013

Task 5a

As a professional in the Performing Arts Business I know that there is NO space for MISTAKES.
Honesty and Professionalism is always respected and this is what I aim for in order to have a Long Term Career.
 
Below are the ethics that apply within my professional community, as well as the guides of practice/regulations that guide the setting of my profession.

          AVOID PLAGIARISM
  • There is a big difference between getting inspired and stealing. Have respect towards yourself and others. We all know how much effort and time it takes to create a choreography or any other form of creativity. Have your own identity and style; INDIVIDUALITY is what makes as different from any other business and this is what will make YOU stand out from the crowd.
          ONLY ASK WHAT IS NECESSARY 
  • If you go in an audition and start asking unnecessary questions or questions that have already been answered, you have LOST THE GAME. A Choreographer or a Casting Director creates an opinion about you from the moment you step into the room. Remember that he/she is testing how quickly you can pick up the choreography, the style and detail. Of course you are allowed to ask questions but ONLY when necessary and in a Professional manor.
          MAINTAIN OBJECTIVITY
  • Know the storyline behind your song, have a prepared 16 count dance with your best moves. BE PREPARED. During an audition your nerves kick in and you might forget a step for example, so what? Carry on as it never happened, be prepared to IMPRESS not to FAIL. Know your craft and give yourself time to learn your material, BE CONFIDENT.
          PROTECT DATA
  • Be Careful about WHAT you say and WHO do you say it to. Be opinionated without criticising others. Remember that a word you said one day might turn against you another day. Keep some things for yourself and prefer to talk to people outside the industry about personal issues. TRUST NOBODY.     



Task 4d

I decided that the title which represents me best is:

BA Hons Professional Practice Performing Arts

The reason why I've chosen this award title is because I have been trained as a dancer, singer and actress for 3 years in my College and have a National Diploma in Musical Theatre.

My strength and confidence relies on my singing, dancing and acting but the reason why I've chosen Performing Arts instead of Musical Theatre as my title; is because I do not want to restrict myself from any other opportunities that I will come across in the future.

Films, Music Videos, TV commercials, Modeling, Dancing, Singing and the list goes on and on.
These are some examples of jobs I have done in the past and I'd like to explore even more in the future.

As you can see I love the variety of jobs our profession can offer and I wouldn't restrict myself by concentrating on one genre at the moment. Even though being on a West End show or Tour would be a dream come true I like the exposure of camera and lights.     

Task 4c

For this task I wanted to share an experience I had with you.
 
As I'm currently unemployed I decided to focus on how important it is to be your own employer/boss as a performer and what steps you should take to succeed.
 
Two weeks ago I interviewed un ex performer who decided to remain anonymous for her own reasons. 
She is a lovely person as well as a great singer and actress and she still performs as much as she can whenever she's given the chance. One of the things that impressed me the most about her, is that her career begun from the age of 12 with a job in the West End! Her outstanding talent, passion and determination is what brought her to the top and since then she's had great success in the business.
 
 Even though she has proved herself in the industry, she couldn't escape the tough process of being auditioned.
She specifically said to me; ''I would always get to the final two but not get the job because there was something missing'' She happened to audition with Catherine Zeta Jones many times in the past and get down to the final two with her! ''It was so close I could almost taste it'' she said, ''but what made Catherine get the job in the end, was her approach, confidence and contacts. Catherine would sit outside the room with her hat and gloves and just look and act like the part. From the beginning till the end of the audition she believed in her so much, that everyone in the room was convinced  that she could be that character''.
 
''I'm proud to say that after lots of attempts and self belief I managed to take the lead part of the show, with Catherine Zeta Jones being my first cover!''     
 
This is how important is to be confident, determined and know your craft in this business!       
 
       

Task 4b

SIG Forum

http://www.facebook.com/#!/groups/357590597687259/

http://www.facebook.com/#!/groups/499154283474027/

Friday 8 March 2013

Survey

Hello please have a look at my survey and take some time to fill the questions :)
It will really benefit you too xxx
http://www.surveymonkey.com/s/2HW65S5

Psychology of a performer Survey
www.surveymonkey.com

Wednesday 27 February 2013

So after a lot of thought process and search, I came up with several ideas that will hopefuly lead me to the ONE  that captures my main target, THE PSYCHOLOGY OF A PERFORMER.

Answering the questions I bloged about earlier and looking through other blogs has lead me to the following thoughts and questions.

I realised that as a performer there is much more I can give and do in order to succeed; for example, I can build my contacts, go to classes more often, contact my agent regularly etc. The question is HOW can we Fulfil our goals? A dancer, singer, actress can develop and improve by learning new skills, by practising on an every day basis, by challenging themselves etc. but even if they are on top of their game that IS STILL NOT ENOUGH.

In order to attract a Casting Director, a Choreographer, an Agent or even the Audience you need much more than a high kick, or a good voice. You need to be able to CAPTURE THE ATTENTION with your PERSONALITY.

So many untalented or not very technical people make it in the industry, just by using their Persona to draw the attention. By saying that, these people also KNOW WHAT THEY WANT and this is one of the reasons of their SUCCESS. I'm not talking about people that achieved what they have through machination, but those who managed to 'rich the top' by themselves, through THEIR PASSION.

What I want to say is; by KNOWING YOURSELF as a Performer then you can freely show off your skills, talent, personality and at the same time BE CONFIDENT. You can MAKE PEOPLE LOVE YOU FOR WHO YOU ARE.

I hope I didn't confuse you with all these thoughts but I'm sure everything will make much more sense once I place my questions.

1. Why is our Psychology so important before/during/after an audition?

2. Have you ever imagined how your life would be if you got that 'dream job' ?

3. Why are you keep trying to achieve something which is more impossible than possible when you know that most of the time you will get rejected, therefore be unhappy?

These are some questions that popped into my head and will lead me into finding my Professional Inquiry. Please comment and tell me your thoughts.

Monday 25 February 2013

The second part of my thinking process rised through a discussion I had with friends about how to achieve what I've always dreamed of in my Professional Practice.

Here are some thoughts I came up with:










Task 4a

Attending the Campus Session last Thursday was (as always) very helpful. We raised questions through our Professional Practice and discussed our ideas and thoughts. It's astonishing how many enquiries and opinions have been raised as well as how critical and opinionated everyone was.

Here is the first thinking process I had:






Monday 28 January 2013

2013 'New Beginning'


Hello it's been a while... I had a great time during Christmas; I went back home to Cyprus to visit my family and friends. Oh I missed my mum's food so much! You know traditional Greek cuisine, is delicious! Having said that I'm becoming a great cook myself after watching Masterchef on TV! I'm experimenting a lot with new flavours and textures, is extraordinary how many different ingredients you can combine and have a great result. For example today I wanted to make a sauce to go on top of my turkey breast and guess what I did? I blended a pear with mushrooms and some
herbs and tarah! the result was delicious!

So what was I saying? Oh yes! about Christmas holidays. So on New Year's Eve something amazing happened. We arranged to go out for a meal with some friends in a restaurant with live music and then out of nowhere, I was sitting next to one of the best actresses in the history of Greece!! Her name is Mimi Ntenisi and she happened to be good friends with one of our friends on the table. I felt like it was unreal but at the same time I was trying to hide my excitement and talk 'normaly'. She is so easy to talk to, she started asking me about my studies and what are my plans for the future; then she mentioned about setting up the Musical 'The King and I' in Cyprus and how she was interested hearing my voice! What? I wanted to scream out of happiness! I didn't loose time, a couple of days later I prepared and recorded 3 songs. Once I came back to London my mum informed me that she handed the DVD to her and now I can't wait to hear back and see what she thinks! Wow this is a BIG opportunity for sure and a massive contact to have, especially when I decide to move back to Cyprus.