Spotlight's Emma spoke to Scott to demystify the casting process for actors, and what he looks for in a performer.
1. Emma
Dyson (2013) An interview with New York casting director Scott Wojcik, London,
The Spotlight Podcast Link
Scott Wojcik started
out as an actor; he was working as a freelance assistant for some Casting
Directors whilst he was trying to do his own acting work. After a while it
became a full time job and now he’s been working as a Casting Director for 5
years.
What Scott is
looking for in performers is a ‘Package talent’; someone who has a physical
appearance that matches the energy that they present when they are on stage and
together those things crystallise character.
Considering
audition pieces, he’s advice is to choose short, comedy pieces delivered with a
lively, focused, defined energy.
Photos are
very important, he’s opinion is to keep them simple with bright eyes and smile
but also have a question behind the eyes with a thought process in mind. Full
body shots are important too; a casting director has to be able to see the
proportions of the actor. Stylistically outdoor and natural, sometimes more
urban backgrounds with the use of brick work great.
A showreel has
to be short, around 1-2 minutes. I casting director or agent want to see you
speak; they want to see you in something recent. The long length showreel
belongs on your website.
A website is
great for your representation as a performer. It’s packaged and you can use it
to promote yourself directly.
He’s advice for
graduates, is to do their research and remember that they have to be smart
consumers in a Business environment. ‘‘Be proactive, ask around other
performers in auditions; ‘’Where do you go for classes?’’, ‘’Where did you get
your headshots from?’’. Know what’s
happening right now in the Business by watching TV, seeing shows and reading
articles and magazines. You should be researching your type; if anyone compares
you to an existing working actor/performer do some research to their past and
see what got them started to being that famous person that they are now.’’
In regard to
auditions, Scott mentioned that you should know your craft and have already
researched the roles that you are suitable for, so that if you have a last
minute audition call you are prepared. ‘‘At auditions you should always take
ownership of your talent and the product that you are presenting. Have your
material ready, be honest and real, figure out who you really are and be polite
to everyone. If you didn’t get the job don’t take it too personally, you did
your best for the day and you are putting a seed on the ground for a job in the
future. A last advice would be to understand that you are auditioning for your
career and to make sure that you shine brightly when you are given a chance in
the Industry.’’
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